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DAPO ADELUGBA ON THEATRE PRACTICE IN NIGERIA pp. 305

Author: A.O. Dasylva

It is the first of the ISESE Interview Series that are aimed at accessing and harnessing vital information on selected Nigerian theatre practitioners. One of the great achievements in the past five or so decades of Nigerian Theatre Practice is the emergence of a national theatre. No doubt, there are works on a few Nigerian theatre practitioners, including a few surveys of the development of theatre in Nigeria which are scattered in some libraries and cultural institutions in and outside Nigeria. However, a concise biographic documentation of Nigerian theatre practitioners does not exist yet. This book of interview is a comprehensive documentation that highlights Professor Dapo Adelugba’s contribution to the emergence and development of the Nigerian Theatre in the almost four decades of his career as a teacher of theatre, a foremost theatre, and a cultural nationalist. The introduction by Professor P.A. Ogundeji provides necessary links between the formative stage when the Nigerian theatre practice began to evolve and the time that Dapo Adelugba made his entry into theatre practice. It is a rich contribution which among other things, sheds light on the cultural milieu and heritage that produced Adelugba.

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